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...and you're fucked over by the law of everything's fucked-up-ness?
I've been bedridden since monday and unable to work on anything. But now I'm back to get this cunt again. Now, eat dinner, then figure out how to bring the joy back in common style practice, then write the script for La Bohème while working on a new page to display I am not in fact dead and gone again.
  • Mood: Hungry
  • Listening to: Dreams in the Witch House - "The Nightmare"
  • Watching: Top Gear
Dea Szandor human body sketch by AnthropomorPhillie
Dea Szandor human body sketch
I'm very pleased with this sketch, because while it's still far from brilliant it still looks close enough to what I want her to be, with my current skill. I'm pretty happy I could fix up the shape of her face  especially because it was so small. Also, her breasts look very good and realistic, which I've always had a problem with. The irony of being unable to draw breasts. :XD: Overall I'm pretty happy with her upper body, but I hate her legs, which I could not figure out the shape of. It looks like she has a stick up her ass.
As for all the writing, I was feeling poetic and dreamy when I was done and it's just a bunch of mind puke I retched up, no need of translating it.
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The Wailing Tongue by AnthropomorPhillie
The Wailing Tongue
"Screamingly sentient, dumbly delirious, only the gods that were can tell. A sickened, sensitive shadow writhing in hands that are not hands, and whirled blindly past ghastly midnights of rotting creation, corpses of dead worlds with sores that were cities, charnel winds that brush the pallid stars and make them flicker low. Beyond the worlds vague ghosts of monstrous things; half-seen columns of unsanctified temples that rest on nameless rocks beneath space and reach up to dizzy vacua above the spheres of light and darkness. And through this revolting graveyard of the universe the muffled, maddening beating of drums, and thin, monotonous whine of blasphemous flutes from inconceivable, unlighted chambers beyond Time; the detestable pounding and piping whereunto dance slowly, awkwardly, and absurdly the gigantic, tenebrous ultimate gods—the blind, voiceless, mindless gargoyles whose soul is Nyarlathotep."
- Howard Lovecraft, "Nyarlathotep"

Nyarlathotep is in may ways my favorite among all the Lovecraftian deities. The reason is very simple - Lovecraft is a genius who reflected the horror of the death of conservative society and the realization and fear there is something outside the narrow sphere of everything you believe to be wrong and right, real and fantasy, and when you try to look beyond it the membrane ruptures and horror you couldn't even imagine awaits you. His message was so horrifyingly perfect for his time - you touch the membrane you will descend into madness, and you'll know your past life was nothing more than a willing delusion in a world beyond your understanding and reason. The reason I like Nyarlathotep is because while normally the insanity is brought upon by arrogant humans that willingly look beyond the veil and what's beyond doesn't have any interest in humanity until humans disturb it, but Nyarlathotep is our counterpart of this outer world - while normal outer gods couldn't care less about humanity and lie still in wait or concerning themselves with outer matters Nyarlathotep is here, taking an interest, actively pursuing us. He's the most human of all the gods, and depending on your perspective that either makes him more or less horrifying, but I think universally more interesting. He's the messenger of the Outer gods, the servant of the daemon sultan Azathoth, the Apocalypse and Revelation. He is not waiting in darkness, he is snuffing the light.

He is basically the Satan of the Cthulhu cycle.

For you unfamiliar, Nyarlathotep (as far as I know) was first mentioned in Lovecraft's short story of the same name. In it he is portrayed as a "swarthy, slender and sinister" man who "was of the old, native blood and looked like a pharao". He possesses scientific knowledge no other humans does and show it openly it, gaining infamy and power, and through it somehow he brings about the end of humanity. It's never clarified how, but I've been theorizing that by showing humanity his truth he is gradually turning our reality to his own.

Please, listen to the story, as told by the High Pirest of the Esoteric Order of the Devouring One.

He is said to have a Thousand masks, which really means he has a myriad of shapes he can use for a variety of reasons. This is inspired by a number of the more known ones, primarily The Howler in the Dark, a gigantic creature with a tentacle instead of a face, The Messenger of the Old Ones, The Black Wind, and the Crawling Mist, which all are basically a wind or mist that travels like a dark cloud across the world.

I think it turned out reasonably well, but it has its flaws. I like how much contrast I managed to put into this (not without a bit of my teacher bashing my head in) and the fact that I did it all by instinct. I began by just drawing spirals and circles in a vaguely humanoid shape, outlining their edges and drew the fibrous bulbousness of the body. After that I gradually drew more darkness surrounding it to give it a certain glow, after which followed the roiling darkness. I very deeply regret the india ink outlines in the darkness though, because it doesn't look part of the picture anymore and it doesn't look as smoky and darkening as it did before-hand.

Please, do comment your thoughts and constructive criticisms.
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AnthropomorPhillie's Profile Picture
AnthropomorPhillie
Real name: Classified by SÄPO.
Artist | Student | Traditional Art
Sweden
My real name is not Viktoria Rosén. Let's get that out of the way. All the implications of that I leave to you to figure out. All great artists have a stage name or an alter ego or a psuedonym, and that's mine.
I am not a great artist and I don't want to be one either for the very simple reason - artists are no better than orthodox religious people, from the nihilistic Buddhists to the inbred Creationists. I am here to become better at my Craft and document the process along the way as well as make a name for myself, but do not ever delude yourself into thinking I'm an artist. To be clear, I define an artist as someone who does something inteligent and mistakable for original in a creative way for his/her own sake without any kind of pragmatic reason, and since DA hardly has a single person matching that description I figure it's as good a place as any to start. Don't get me wrong, I am not saying there's anything wrong in being an artist, I'm just saying I don't want to be an artist because I find no satisfaction in that thinking.
I am here to develop and hone above all my ability as an illustrator - find my style, learn to work creatively, do it proficiently, which means I want criticism for all my work. What was good, what was bad, how you liked it.
The reason is I am developing the base for a longer series or of novels based in a futuristic Cthulhu cycle exploring themes of independence, religion, personality, power, evil and goodness, all set within a erotic sci-fi/fantasy drama called "Who Durst Defy", and while I am driven I am far from near being able to pull that off. That's the main reason why I want to hone my artistic ability, but more than that I have discovered I have a generally creative mind and feel good when I do creative things such as write or draw and I would rather do that than anything else the average drone's life has to offer. I don't want to do this to make money (I am not that stupid) but I want to get by on it one day.
Most obvious things you'll learn about me is I am a nyctophile, meaning I find alot more comfort in darkness than in light, and I am an anthropomorphile, a faculty term I've invented meaning "a strong, passionate, sexual as well as spiritual desire and/or connection to a entity defineable as more than human" but that does not mean I like Furry. Porn is one thing, a starved woman can't be a picker, but other than that I do not want any connection to Furry as a movement because I do not care for nor follow that style. I draw anthropomorphs, not furry, and there is a difference between the two. Anyone who claims anything different is either living in denial or plain ignorant. Yes, there are similarities, but it's like comparing wolves with those chihuahuas you see in handbags. I've thought a bit about what it is that seperate these two genre's and I think I've come up with a fairly good explanation of the differences between them. Before you read though, let me make it plain I have little against furries as such, I simply want it plain that what I draw isn't furries as such.



1. Furry is a part of Anthropomorphism, not the other way around.

Fred Patten, a historian born in 1940 who have been able to follow the evolution of the genre first-hand, claims it originated at a sci-fi convention in the 1980's, tough furries as we've come to know them has existed since much earlier in the 1900's (take Disney's Robin Hood for example). Anthropomorphism on the other hand is exceedingly much older than any of these examples, and much more diversified. Stories of human-like animals or animals with human minds and reasoning or humans with animalistic features can be found on every continent and in every culture. The Germanic werewolves, the Greek Minotaur, La Belle et la Bête, the Dove of the Old Testament, the Were-lions of Africa, these are just a few of the many.




2. Furries are without exception depicted in a cartoon- or manga style.

By this I mean furry artists generally don't bother with making realistic drawings, they're always stylized, and often in a manner similar to one-another. A common denominator is I have yet to see a furry artist bothering to draw fur, but simply making a field with a few "pointy edges" to give the character a feeling of having fur. If I am unclear as to what I mean with this, the works of Walt Disney, :iconjaynaylor:, Kadath, and :iconkaboozle: ought to clue you in. Now you may point out old depictions of for example werewolves, woodcuts and the like, have a smilar style, to which I say more often than not the entire depiction is given an even fur pattern, and when it's not it's often meant to depict shades, depth, light, et cetera. Another denominator is furries can give human facial expressions no matter how their faces are designed. Of course, animals can do expressions we can interpret as simimilar to our own and it can be argued that furries therefor can do them to, and I could let it slide should it be an expression not unrealistically exaggerated. On a sidenote, furries can pronounce human words and sounds which we know are impossible for animals to replicate with a snout for example.



3. Furries are unimaginative parodies of the entire concept of the borderline between human and animal.
This is probably the most offensive title of the argumentation for where furry ends and anthropomorphism begins but I can explain why it is also very accurate. The Furry fandom is very closed-off if you compare it to the rest of all that anthropomorhism can be. The word "Anthropomorphism" is actually a synonym for "personification" and it applies not just to animals, but everything. Everything not human with human-like features and capabilities is an anthropomorph. Death as a skeleton with a scythe in black robes is a anthropomorph and so is an Easterly wind depicted as a cherub blowing ships across the sea. But for now we'll focus on the animalistic. By "unimaginative" I mean furries are essentially completely human. The one thing seperating a furry and a human is its exotic body. More often than not furries can wear clothes, they can use machines, they have a human society, and they have a human capacity for reasoning and empathy. Anthropomorph's are supposed to be in-between human and animal, and that in itself opens a world of possibilities very rarely utilized in furry. Which brings me to "parody of the concept between human and animal". What I mean by parody is the mocking trivialization of the world of possibility that lie there. "Between human and animal...is a human with a nearly human body." It's almost disrespectful. Almost. Anthropomorph's are very rarely not meant to symbolize something, usually that humans are animals in one way or another, which we through-out history have been struggling hard to deny, or put a Devil's stamp on (take the vampire, which is essentially the embodiment of the deadly sins) but it can be so much more and often is.




4. Furries is not taken seriously.

There's a very good reason people mock Furry fandom - it has yet to be depicted in a way that can be taken seriously. You have to admit all in all furry can be split into three undergenre's - porn, childrens TV-series, and minor psuedo-drama's. Furry porn is not taken seriously because it's porn and while porn in itself is often mocked furry can all to easily be interpreted as "beastiality in denial". Kid's TV-series with furries is directed at a very distinct audience - kids. What we like as kids is very rare to like as adults because we are taught to put childish things behind us as we grow older because they're often clashing with reality, which we need to embrace if we are to function in society (we are taught). This I really blaim the most for furries not being taken seriously. Finally, what I mean by "psuedo-drama's" is a general drama that not only isn't very good, but could function just as well with humans as with furries, because all characters are essentially humans with fur. Anthropomorph's aren't taken very seriously either, but it is mocked to a much smaller degree than furries. I think the reason is because everything I have already argumented - anthropomorphic animals are in total percieved as more realistic in depiction as well as mentality and nature.

Of course, this is just a generalization and depictions of furry/anthropomorphism often cross these lines in one way or another. These are just a few rules of thumb that I have written down to help maintain the distinction.
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This is who I am, and there's nothing else to say.
"Life has no Point, so we can shape it as we wish."
- Viktoria Rosén
Interests
...and you're fucked over by the law of everything's fucked-up-ness?
I've been bedridden since monday and unable to work on anything. But now I'm back to get this cunt again. Now, eat dinner, then figure out how to bring the joy back in common style practice, then write the script for La Bohème while working on a new page to display I am not in fact dead and gone again.
  • Mood: Hungry
  • Listening to: Dreams in the Witch House - "The Nightmare"
  • Watching: Top Gear

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:icongusavancini:
gusavancini Featured By Owner Feb 20, 2015  New member Professional Digital Artist
Thanks for the fave :)
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:iconanthropomorphillie:
AnthropomorPhillie Featured By Owner Feb 20, 2015  Student Traditional Artist
You're welcome.
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vesssel Featured By Owner Feb 20, 2015
Thanks for the fave! Feel free to check out my Facebook page for more art. :D
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:iconanthropomorphillie:
AnthropomorPhillie Featured By Owner Feb 20, 2015  Student Traditional Artist
You are welcome.
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AraNaja Featured By Owner Feb 2, 2015   General Artist
Thanks for the fav :)
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:iconanthropomorphillie:
AnthropomorPhillie Featured By Owner Feb 3, 2015  Student Traditional Artist
You are welcome.
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suttonQjuggernaut1 Featured By Owner Dec 9, 2014
Thank you for the fave..Sweating a little... 
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:iconanthropomorphillie:
AnthropomorPhillie Featured By Owner Dec 9, 2014  Student Traditional Artist
You're welcome. :)
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WillWorks Featured By Owner Dec 6, 2014   General Artist
Thanks for the :+fav:
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:iconanthropomorphillie:
AnthropomorPhillie Featured By Owner Dec 7, 2014  Student Traditional Artist
You're welcome. :)
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